With decades of experience helping teams of reseachers, business leaders, and executives
from Honda, EY, Sumitomo Chemical, and other global leaders --
I have seen approaches that help individuals or groups develop important skills.
Content: Discuss narrative techniques that include interior monologue, dramatic monologue, letter narration, diary narration, subjective narration, detached autobiography, memoir, anonymous narration, dual character point of view, multiple character point of view, no character point of view, and more.
Time: Tuesdays 9-10:30 pm (Japan time); or, various other times may be available.
Platform: Signal and other platforms, or in-person.
Contact: Contact today for more information.
Flow: Enjoy expressing your understanding of the text. Try and faciliate conversations with engaging questions and friendly feedback.
Fallibility and distortion are key elements of unreliable narrators,
and in Beckett's Not I,
a theatrical production often featuring only a mouth on a stage, expectations are upended and new possibilites
emerge. In this monologue of lyrical stream-of-consciousness
that recounts denial and trauma, haunting images repeat from
disjointed lips that seem to float outside of definable
time and space. And yet, there is warmth and intimacy.
What do you think? Do you ever feel like the narrator (Julianne Moore in this production) of Not I?
Contact me for more information.